A partir de 1994 Roberta Bosco es corresponsal desde España de Il Giornale dell’Arte (editorial Allemandi), la principal revista italiana de arte, fundadora del network del que forman parte The Art Newspaper y Le Journal des Arts.
Roberta fue corresponsal en Barcelona de la edición española (El Periódico del Arte) desde su inicio en 1997 hasta su cierre en 2002.

Vamos a reunir en esta página una selección de artículos publicados en The Art Newspaper por Roberta Bosco entre 1994 y la actualidad:

Artículos online en https://www.theartnewspaper.com/authors/roberta-bosco

– Death triumphs: Museo del Prado completes challenging two-year-long Bruegel restoration (02 October 2018)
It has been one of the most challenging restorations undertaken by the Museo del Prado in recent years. The Triumph of Death (1562-63) by Pieter Bruegel the Elder, the mysterious painter whose oeuvre numbers only around 40 works, returned to the Madrid museum’s walls at the end of May. The danse macabre in which Death wins the battle over earthly things was the only work by Bruegel in the Prado’s collection until 2011, when the Spanish museum acquired the newly discovered Wine of St Martin’s Day (1566-67) for €7m.

– Legal saga over Dalí work is concluded in Spain’s Supreme Court (01 September 2016)
Spain’s Supreme Court has put an end to a civil lawsuit brought by the Fundació Gala-Salvador Dalí against Juan Javier Bofill, the owner of the Barcelona exhibition company Faber Gotic.
In 2012, a commercial court in Barcelona ruled in the foundation’s favour, ordering Faber Gotic to remove Dalí’s name and image from a commercial display of the artist’s late sculptures in the city centre, and to pay compensation to the foundation for advertising the exhibition in connection with the official Dalí Theatre-Museum in Figueres. The company breached the foundation’s exclusive rights to the Dalí trademark and intellectual property, but did not violate the artist’s image, the court found.

– Digital display: Introducing the Adobe Museum of Digital Media (01 May 2011)
Called the Adobe Museum of Digital Media, the venue based in cyberspace, has a suitably futuristic building designed by Italian architect Filippo Innocenti and is curated by Tom Eccles, the director of the Centre for Curatorial Studies at Bard College, and boasts work by US video artist Tony Oursler. Japanese artist Mariko Mori is preparing new work for its virtual gallery spaces.

– Criticism for Prado’s approach to expansion project (01 September 1995)
A staggering total of 1,591 architectural practices have entered their names in the competition for the new Prado reconstruction and extension competition. The open nature of the competition, with no pre-selection, has been criticised as a waste of time in museum and architectural circles.

– At last, an agreement to save unstable Burgos cathedral is reached (01 July 1994)
After years of inactivity, the Spanish Ministry of Culture, the regional government of Castille and León and the cathedral administration, have at last agreed on a plan to save Burgos cathedral. A public debate inspired by the recent fire at the Liceu opera house in Barcelona, and threats that unesco would remove the cathedral from its list of world heritage monuments, helped concentrate the minds of those concerned.

… more soon …